![]() The orchestra is on the whole unusually large, with trumpets and timpani, and horn parts which are uncommonly independent and important to the musical argument. It is the first of only three piano concertos in which he uses clarinets, to particular effect in the expressive Andantino cantabile episode of the otherwise ebullient Finale. Concertos 7 and 10 are compositions for three and two pianos respectively. The first four numbered concertos and three unnumbered concertos are early works that are arrangements of keyboard sonatas by various contemporary composers. ![]() 22 in E flat major, on the other hand, is one that Mozart wrote primarily for his own use, completing it on 16th December 1785, and performing it later the same month. Wolfgang Amadeus Mozart 's concertos for piano and orchestra are numbered from 1 to 27. hideConcertos and concertante works by Wolfgang Amadeus Mozart. The performance that Leopold was referring to was by Mozart himself at a concert in Vienna in 1785, but the work is believed to have been written for the blind virtuoso Maria Theresia von Paradis to play on a concert trip to Paris, and the demanding piano part leaves us in no doubt about her abilities as a pianist. Template:Concertos (Mozart, Wolfgang Amadeus). This aspect certainly didn’t pass unnoticed by a listener as initiated as Mozart’s father Leopold: in a letter to his daughter Nannerl he described how his enjoyment of the orchestral interplay had brought tears to his eyes. But more striking is the variety of ways that Mozart employs the various groups of instruments: strings, wind instruments and, of course, the piano. 18 in B flat major, K 456, is sometimes referred to as one of the composer’s ‘military concertos’ on the basis of the march-like main theme of the first movement. Leutgeb was a skilled player, as the works are difficult to perform on the natural horn of the period, requiring lip trills, much hand-stopping, and rapid tonguing. Martin-in-the Field - Mozart Piano Concertos: Complete Mozart. ![]() The sixth disc in this highly acclaimed series combine two works in which Mozart's powers as an orchestrator come to the fore. In Academy of Ancient Musics unique recording project, Robert Levin has recreated this approach to Mozarts Piano Concertos, bringing a sense of adventure. The four Horn Concertos by Wolfgang Amadeus Mozart were written for his friend Joseph Leutgeb whom he had known since childhood. Mozart, Wolfgang Amadeus, Neville Marriner, Alfred Brendel, Imogen Cooper, Academy of St. “These are finely-judged performances throughout, in which every detail counts.” BBC Music Magazine The concertos (especially the fourth) were written as virtuoso vehicles that allow the soloist to show a variety of abilities on the valveless horns of Mozarts day. “IRR Outstanding”, International Record Review: “One of the best discs so far in the BIS series, this disc is unreservedly recommended…” ![]()
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